Jane C. Grant Senior Prize
This prize is funded with part of the income from gifts given by Jane C. Grant and her husband, William B. Harris. Jane C. Grant was a women's rights advocate from the 1920s until her death in 1972. She also co-founded The New Yorker and was a reporter for the New York Times. Having begun work at the Times in a clerical capacity, she became the paper's first woman general assignment reporter and in the mid-1930s traveled to Europe, the Balkans, the Far East, and Russia as a foreign correspondent. Her increasingly visible literary profile earned her a place among the literary elite of the Algonquin Hotel "Round Table." During the 1960s, Grant wrote Ross, the New Yorker, and Me, donating royalties from the book to the Harvard-Radcliffe Fund for the Study of Women, which she established with Doris Stevens. The purpose of that fund was to finance and support the study of women in all cultures and periods of history.
The Jane C. Grant Senior Prize is given to the graduating senior with the best overall academic performance in WGS. There is no competition for this award; eligible candidates will be considered without application. The prize will be awarded at the Women, Gender, and Sexuality end-of-year party.
2018-2019 Montita Sowapark
2017-2018 Asia Taylor Stewart
2016-2017 Eriko Kay
2015-2016 Kirin Gupta
2012-2013 Bradley Lynn Craig
2007-2008 Katy Rebecca Mahraj
Eugene R. Cummings Senior Thesis Prize in LGBT Studies
Eugene R. Cummings, the son of an Irish immigrant schoolteacher from Fall River, Massachusetts, was a gay student at the Harvard Dental School who ended his life on June 11, 1920, just days short of receiving his degree, after being interrogated and informed that he would be expelled by the “Secret Court” that purged gay men from Harvard in 1920. The prize was established to ensure that his name and experiences will not be forgotten and that future generations will have opportunities for self-expression that were denied to Mr. Cummings.
A prize of $1000 will be awarded to the best senior thesis on a Lesbian, Gay, Bisexual, or Transgender Studies topic from any department or program at Harvard. The thesis should focus on LGBT subject matter, rather than touching on LGBT issues tangentially.
Theses may be submitted by a faculty member or by an undergraduate; there is no formal nomination process. Three copies of the thesis and three copies of the readers’ comments should be delivered to the Committee on Degrees in Studies of Women, Gender, and Sexuality, Boylston Hall Ground Floor, by the application deadline. Theses should be printed double-sided if possible; no special binding or paper is required. Please also send an electronic copy of the thesis directly to Associate Director of Undergraduate Studies, Linda Schlossberg, at email@example.com. (Note: If readers’ comments are not available by the deadline, students are responsible for asking their concentration’s Director of Studies or Head Tutor to email Linda Schlossberg indicating when the readings will be available.)
To expedite distribution of the award, the submission should include the following information in a cover page: the entrant's name and Harvard ID number, telephone number, mailing address, and e-mail. The prize will be awarded at the Women, Gender, and Sexuality end-of-year party.
2016-2017 Gregory Andrew Briker, The Right to be Heard: ONE Magazine, Obscenity Law, and the Battle over Homosexual Speech
2015-2016 Gabrielle Elisabeth Milner, Predictors of Breast and Cervical Cancer Screening in Sexual Minority Women
2012-2013 Lucia Marie Carver, On Being "Lesbian": Kakefuda Hiroko’s "‘Rezubian’ de aru, to iu koto," Translated and In Context
2011-2012 Jia Hui Lee, Modernity on Trial: Sodomy and Nation in Malaysia
2010-2011 Natalia Maria Renta, Plaintiffs' Role in Reinventing Legal Arguments for Same-Sex Marriage
2009-2010 Martha Annabel Wasserman, ACT UP New York: Art, Activism and the AIDS Crisis, 1987-1993
2008-2009 Ana Huang, On the Surface: Conceptualizing Gender and Subjectivity in Chinese Lesbian Culture
2007-2008 Sarah Kate Howard, “Keepin' it Real," Queering the Real: Queer Hip Hop and the Performance of Authenticity